VR Writing and Recording

Even if ther faulty in their thretoric, with some grace supplied by Editors, the Mills need emerging voices, and even more so, we need emerging voices from from the First Digital Age.

Year One took about ten years to emerge...and its only half of them.

So, if the voice rings somewhat bland, or untrue, emotional, ideological, there must also be something Mill Gen distinctive, like cohesion, simplicity, due to a compression of media consumption.
This should simply evident as they spend less time to get to more material. Burst of some kind of new scholarship that thrives in digital audiences.

First wave was the early civilizations....from Sumeria to Maya. These two form a kind of beginning and end, but the Maya are a exception that occurs in the beginning of the Next wave, which is the 700AD.
But the Maya fit into the older civilizations, about like that of Sumeria, with similar pyramids.
Anyway, second wave is Turkic, Arabic, Siamese, Japanese, Nordic, Zimbabwean, Nigerian, and Oceanic last, in a miminal way, but just getting in.

Odd the Arab would be so willfully illiterate for so long! But, they are like many civs who engage in violence in so far as the other civs might see them as the people who hammer a square peg in a round hole.
The younger sibling first use of literacy, you see.

So, now there is a Third wave...the digital wave. Smaller length of time, and, in a way, its like the Human race is tuning in to a kind of increasing compression of knowledge...adding a narrow band of literacy to then focus on a more precise moment in time due to Oral and Visual traditions equalized if not adequate for the application, such as rhetoric.

We, who came first, came first by a measure of weeks. However, it has taken about a two decades to get a pretty widespread global network.

And our generation then picking up the signal as the dying older media revert to scratch tracks.

But I mean this is just par for the course. A breezy style. A kind of humbling eloquence...sorta like the Star Trek episode, where the couples eyes go blue, and they study everything for like 12 hours.
They'll have that kind of prophet among us presence, glowing with newness.

said John the Baptist.

So, who should I anoint? I claim little responsibility for this action. I know too many journalist, though, I would listen in for tone.

Who are the Authors to be paid. I will figure that out at first, but the state by state hiring is probably going to be not application, but just submissions collected to Departments. In other words, all of the department of History should have compiled the work of the students whose grades measure enough to fill that slot of three. More than one University per population.

Fragments which present naturally, and written to overlapping here and there...but then one can pick one over the other...

Voice overed.

Might be Philbrick, but anyway, the idea here is the viewer listens to the default interweaving,,,which is randomized but equally spaced...first one is presented, then one or another is offered for choice a preferred voice.
 if preferred, then shortly after perhaps three (having it been alternating reversals) versions of preferred voice and author, the voice can shift from one author to another, and the viewer can again, choose which reader they prefer and which author they prefer, but then there is introduced a third author.

Sometimes this means authors who are public domain and this how using them when necessary as it is taken out of the overall spending on all the others.
In other words they can afford the discount: the cost, minimalized, has a percentage of a ongoing package.

The idea is too employ as many voices talents as possible, and then having it mix.

The thing is, as each animation has a different site, an author might shine here, and dim there.

But a voice actor can overcome that.

Its just the idea there is a Oral database set up, composed by actors who are good readers, which reads current scholarship, including PhD's.

The viewer can take the random, or, they can choose to listen to a single author, then a single voice.

Or, after maybe a few locations, they get bored with the author-voice, and change to a different voice.

The actors might have insights while they are reading which they should add, as vocal footnotes..so they could read the footnotes as a second voice.

It would be a voice like you were doing your own footnoting, but the actors who can add footnotes...after a while you get insight reading History, you can compose that for a final reading.
Later you can have your own footnotes edited out...
"oh, I shouldn't have included that now that I've read Boswell..."

In a way its building a National reading of very particulars histories as well as very broad, more popular histories.

Probably a long time gig for many actors...employing them, now and then, over a few years.

Chris Enns has written a lot of women's stories of the West. But there are a plethora of women writers, and any period will have reference to even the lesser writers...though really bad history we might include in a additional database.
Thats a bit more work because one has to edit out the laughably bad history.

But, perhaps another expansion.

The point as uneven in quality of writing, a voice actor might click with that author. A second rate author is redeemed somewhat, by a first rate reader.

What we want emotion in these...because the room to read or inflect into the material is narrowed...it really, really needs to come from the heart.
Because, all readings will have a varying music, and the more the emotions range and come out, the broader the musical selection.

An voice talent really gets to shine in particular...and of course singers might have a good chance to participate.

However, it has to start with four: two women and two men reading two women and two men.

Then the programming accesses the database.