Tyrannosaurus Titles

First, just let me state the overall idea here is, academically, is to perform a comparison contrast in material culture between the Russian Steppe (and environs), with the Central Plains (and environs...including the Mississippi and Pacific Northwest...but centered on 'great accelerator' south.
These project are only 3-d modeling projects.
Mostly simply put, turning photos of Steppe and Plains history into 3-d models...but there are surveys, archeological, also providing modeling information in academia.

List of script titles, or future episodes of the series...(the writing can be uneven).

1.
Tyrannosaurus on Trial
...on Trial 2
...on Trial 3
...on Trial 4
etc.

Also, alongside those:

2.
Tyrannosaurus Confession  (which have to be masterpieces of insincerity).
T confesses again (2)
T confesses again (3)

etc.

There is a series of Tyrannosaurus Steals from the 16th Century, ...17th Century, ...18th Century, ...19 Century, ...20th Century, ...21st Century, ...22nd Century, etc.

Tyrannosaurus Rides with the Scythians

(part one of the Tyranosaurus Roams the Steppes. with ...Huns, Parthians, Khazars, Bactrians, Pechenegs, Sakas, Mongols...)

Tyrannosaurus, Revolt! (which is set in the Cretaceous Era and is like Zardoz).

Tyrannosaurus at Innsmouth, the lovecraft series, which has titles like; T at the Mountains of Madness, and T at The Temple, T calls Cthulhu back. T Whispers along in the Darkness, T haunting the dark along with X. T is Horrified at Dunwich.
These Lovecraft stories actually provide accurate 18th century, colonial era architecture. One just throws in some Giant Floating Jellyfish monster and viola, its Lovecraft.

The portrayal of actual History in 3-d is an extra degree of realism. Trying to cover the realism of it, like "Roots" (you know, the TV Miniseries), hewing close to Historical accuracy. But adding all the messier bits; dubious frontier Justice, racism, criminals.

Staged as satire and or parody.

In these comedies, there is always a tribe of "Amazons", also riding-around as in suggesting a parallel Time Traveler conspiracy. Pirate women creating mayhem, slavery, slayings, pettiness, narcissism all leading to murder and tyranny...but somehow more Zena.
Problem is its gotta be balanced just right with Historical accuracy.

In the fictional it can be played with, but the Architectural and other Art History items must be accurately reproduced, as are fortresses and methods of transportation...boats, tents, livestock as 3-d modelings...set pieces, but really really accurate and detailed.
More detailed than necessary for the show, but for production reasons, such as 3-d printing models and archeological pedagogy via media.

Also, there is in the Fictions, the imposing on history, in order to liven it up. The baseline Agri settled people mixing with Pastoral and Heroic, not that there is more craftwork and cleanliness and homestead farmer wholesomeness...more hands at work, than the meager archeological reference. The actions more like busy communities normalized through work in the History taking away...but in the staging for comedy, that kind of suburban, safe and settled, Eloi, black comedy going-off-the-rails...poisonings, molestations, murders, toture, rape...details of battles with lots of beheadings...like the beginning of Polanski's Macbeth, just longer..
Depersonalition of military men being a major source of even gallows humor.

You see, those are in the "Tyrannosaurus Talking" series. Its a "parallel reality" and these elements can inform Art Directors to create, lets say just in terms of the early turks, then, later, turkish looking rockets...from 2,000 in the future.
The Historical roots are then available for use in classrooms, or various other media, right?

Three-d models of the Archeaological record of the Turks, which can be weathered, painted and repainted digitally, or eventually printed in varying scale models to-be-assembled...but used in Turkish film Industry...that kind of thing.
Or, a location generator in a tale of Iranian Knights.

Or ruin generator for some Fantasy setting.

But the timeline sorta of peeling off pretty soon...probably before the Mongols and conversion to Islam and Mosque buildings, peeling off into the direction of Europe.
The Europe focus, which is also in the Tyrannosaurus series, is also to pre-stage the Architecture in the United States.
But also alongside the duplication of that Archeaological record to match the American Central Plains West...the horses are slightly bigger, the Great Plains are Vertical and the dress varies, but action is fairly pretty much the same...lotsa empty space where people tap in from the sides and get down and dirty in the streets.
I mean, both have old horse riding gang territory feelings. Including the American nationals!

The Trade with the Maya is widespread, like trade in the central steppe was with Dravidian and Egyptians...so there are incidental items NOT Turkic or Europid, but traded.
Similarly, what trade?
The Pacific Coast tribes have an interested Archeological record and traditional craftingworking, and some of this can be re-invented for future design.
So, there is minimum speculation on smithing methods...probably near identical.
You know, its 3-d modeling wherein, at some point, its just ergonomics.

The point being working on the American West, which is my main direction for 3-d modeling, due to my understanding of what History I have read, specifically, the History of America...and serving best the educational interests of the National Government.

Some settlements coming from an older time, the Central Asian "tour of ruins", where the sources are disconnected from deeper, bronze and early Iron Age roots; Bactria, Merv...er...hard to keep a list in my head, but those cities across the Central Asia southern highlands having Hellenic buildings.

Some things are speculative...the Parthians buildings, but then there is a proto-Iranian quality...the Zoroastrian remnants, fire temples, etc. That emerges as well.

Anyway, this is 3-d models, Archeological items; ruins, graves, kurgans...

sorta like working with the Ulaan Bator Museum of Steppe History...something like that.

Interested?